Isaac Julien was born in London, the UK where he is currently based and is an installation artist and filmmaker.
Julien received his BA in fine-art film from the Central Saint Martins School of Art, London (1984) and completed his postdoctoral studies at Les entrepreneurs del’audiovisuel europeen, Brussels (1989). Julien has a long history of participation in educational institutions which includes, visiting lecturer at Harvard University’s Schools of Afro-American and Visual Environmental Studies, visiting professor at the Whitney Museum of American Arts in New York, research fellow at Goldsmiths College, University of London, UK, professor at the Karlsruhe University of Arts and Design.
Julien also co-founded Sankofa Film and Video Collective and is a patron of the Live Art Development Agency.
His work has pioneered contemporary dialogue around the politics of sexuality, masculinity and cultural displacement. The works are an intersection of various forms of creative expression, taking influence from dance, painting, sculpture, theatre, film, and music.
These films are interpreted into large-scale, multi-screen installations and photographs for museums and galleries which encourages audience interaction with the work. A prolific filmmaker, Julien’s work includes Looking for Langston (1989), Young Soul Rebels (1991), Long Road to Mazatlan (1999), Vagabondia (2000), Baltimore (2003), Derek (2008), Ten Thousand Waves (2010), Playtime (2013).
In 1989, Julien won a Teddy Award at the Berlin International Film Festival for Looking for Langston. He is also the recipient of the SACD Award for the film Young Soul Rebels (1991) at the Cannes Film Festival and was nominated for the Turner Prize in 2001. In 2003, his film Baltimore, won the Grand Jury Prize at the Kunstfilm Biennale in Cologne.