Media release

• A powerful tribute to the life and legacy of Albie Sachs—advocate, freedom fighter, judge, and writer—the exhibition explores how art has functioned as a tool of resistance, memory, and liberation
  
• Traces the shared artistic and political histories of South Africa and Mozambique with a detailed timeline linking Sachs’ biography to the broader social, cultural, and historical context of both countries
  
• Features selected works from the Mayibuye Archives, the Constitutional Court Art Collection, and Sachs’ own collection

(Cape Town, Thursday, 26 June 2025): Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) presents Spring Is Rebellious: The Art & Life of Albie Sachs, an exhibition that engages the public life of Albie Sachs to narrate the intertwined artistic and political histories of two nations: Mozambique and South Africa. It recognises that revolution unfolds along a continuum, and it honours the many struggles for freedom that came before Sachs, and those still to come. The exhibition, curated by Zeitz MOCAA Assistant Curator Dr Phokeng Setai, opens on Thursday, 24 July 2025 on Level 2 Elevator Side of the museum and runs until Sunday, 23 August 2026.

Albie Sachs is a renowned South African activist, writer, and former judge on the Constitutional Court (1994–2009), appointed by Nelson Mandela after the country’s first democratic elections. As a young advocate, he defended those charged under apartheid laws before going into exile in 1966. He later taught law in Mozambique, where in 1988 he survived a car bomb attack by South African agents, and lost his right arm and vision in his left eye. A key figure in shaping South Africa’s post-apartheid Constitution, Sachs is the author of numerous books and continues to share lessons in justice, memory, and healing. In 2025, The Albie Collection was launched to mark his 90th birthday. 

Carrying forward the spirit and ideas of Moses Kotane, Ruth First, Oliver Tambo, and countless others, Sachs’ life and contributions act as a vessel for collective memory. The exhibition also reflects on Sachs’ cultural and intellectual legacy through artworks he collected, commissioned, curated, collaborated on, or helped inspire.

Rooted in the ideals of resistance, liberation, and transformation, the exhibition examines the trajectory of revolutionary struggle and questions the limits of its founding principles. It opens a window into the ongoing project of African political freedom and social justice, and uses Sachs’ life and collections as entry points to reflect on how art helps shape political and social life. The exhibition reflects on political transformation—a complex process both Mozambique (post-1975) and South Africa (post-1994) have faced—through the layered perspectives offered by the artworks. 

Albie Sachs reflects: ‘For those of us who lived through the freedom struggles in Southern Africa, art was never a luxury, it was part of our survival. A mural, a poem, a song, a sculpture, a dance, they carried our defiance, our memory, our dreams. In Mozambique, I saw creativity thrive amid hardship. In South Africa, art gave spirit to our Constitution—the jazz musicians wrote the Constitution in music before the lawyers did in words. Spring Is Rebellious honours those who fought, created, and imagined a just world. Art helped us see freedom before it arrived. It still does. The struggle isn’t over—and neither is the dreaming.’

Spring Is Rebellious: The Art & Life of Albie Sachs draws from three main collections: the UWC-Robben Island Mayibuye Archives (featuring Sachs’ Mozambican works), the Constitutional Court Art Collection, and Sachs’ own personal collection. A detailed timeline runs through the exhibition, linking Sachs’ biography to the broader social, cultural, and historical context of both countries. Sachs’ voice features directly, both in the written elements and audio guide. This exhibition stands as a tribute to freedom fighters, cultural workers, and social justice advocates who gave of themselves in the ongoing pursuit of collective liberation. 

Dr Phokeng Setai shares: ‘So why this show? Our purpose is clear: to illustrate how art and culture are integral to law and justice, politics, and nation-building. We hope you come away with a deeper understanding that the realms of art and intellectual expression are not peripheral but central to building free and just societies.’

As a groundbreaking institution dedicated to promoting and preserving contemporary art from Africa and its diaspora, Spring Is Rebellious speaks to the museum’s vision to produce and present cutting-edge contemporary exhibitions and art historical knowledge, enhance the careers of Africa’s most talented artists in the 21st century and beyond, strengthen its education programmes, and ensure access for all.

Zeitz MOCAA’s exhibition and curatorial programming is generously supported by the Mellon Foundation and BMW South Africa. 

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Please find the media toolkit with media release, full biography, portraits and image credits.
For media enquiries, contact Esther Henderson, Zeitz MOCAA Communications Manager, at esther.henderson@zeitzmocaa.museum.
To attend the Media Preview of Spring Is Rebellious: The Art & Life of Albie Sachs on Thursday, 24 July 2025, 3.30 pm for 4 pm – 6 pm at Zeitz MOCAA, please RSVP by Thursday, 17 July 2025. Exhibition curator Dr Phokeng Setai will be in conversation with Albie Sachs, followed by an exhibition walkabout and Q&A. The public opening of the exhibition will take place at 6 pm.

Issued by Zeitz MOCAA Communications.

MEDIA TOOLKIT

About Zeitz MOCAA

Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) is a public not-for-profit institution that collects, preserves, researches and exhibits contemporary art from Africa and its diaspora; conceives and hosts international exhibitions; develops supporting educational, discursive and enrichment programmes; encourages intercultural understanding; and ensures access for all. The museum’s galleries feature rotating temporary exhibitions with dedicated space for the permanent collection. The institution also includes the BMW Centre for Art Education and The Atelier, a museum residency programme for artists living and working in Cape Town.

Zeitz MOCAA, situated at the Silo District, South Arm Road, V&A Waterfront in Cape Town, South Africa, is open Monday through Sunday, 10 am – 6 pm (last entry at 5.30 pm). zeitzmocaa.museum   

About the Andrew W. Mellon Foundation

The Andrew W. Mellon Foundation is the United States’ largest supporter of the arts and humanities. Since 1969, the Foundation has been guided by its core belief that the humanities and arts are essential to human understanding. The Foundation believes that the arts and humanities are where we express our complex humanity and that everyone deserves the beauty, transcendence and freedom that can be found there. Through our grants, we seek to build just communities enriched by meaning and empowered by critical thinking, where ideas and imagination can thrive. mellon.org

About the BMW Group

With its four brands BMW, MINI, Rolls-Royce and BMW Motorrad, the BMW Group is the world’s leading premium manufacturer of automobiles and motorcycles and also provides premium financial and mobility services. The BMW Group production network comprises over 30 production sites worldwide; the company has a global sales network in more than 140 countries.

In 2023, the BMW Group sold over 2.55 million passenger vehicles and more than 209,000 motorcycles worldwide. The profit before tax in the financial year 2023 was € 17.1 billion on revenues amounting to € 155.5 billion. As of 31 December 2023, the BMW Group had a workforce of 154,950 employees.

The success of the BMW Group has always been based on long-term thinking and responsible action. The company set the course for the future at an early stage and consistently makes sustainability and efficient resource management central to its strategic direction, from the supply chain through production to the end of the use phase of all products. www.bmwgroup.com