Imagine forty-two 33 metre high concrete tubes each with a diameter of 5.5 metres, with no open space to experience the volume from within. Imagine redesigning this into a functional space that will not only pay tribute to its original industrial design and soul but will become a major, not-for-profit cultural institution housing the most significant collection of contemporary art from Africa and its Diaspora.
The brief given to Heatherwick Studio was to reimagine the Grain Silo Complex at the V&A Waterfront with an architectural intervention inspired by its own historic character. The project called for a solution that would be unique to Africa and create the highest possible quality of exhibition space for the work displayed inside.
The V&A Waterfront’s challenge to repurpose what was once the tallest building on the Cape Town skyline caught the imagination of internationally acclaimed designer Thomas Heatherwick and his innovative team of architects.
This was a chance to do more than just appropriate a former industrial building to display art, but to imagine a new kind of museum in an African context.
The R500-million redevelopment project announced in November 2013 as a partnership between the V&A Waterfront and Jochen Zeitz will retain and honour the historic fabric and soul of the building while transforming the interior into a unique, cutting-edge space to house the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA). Considered the most extensive and representative collection of contemporary art from Africa, the Zeitz Collection has been gifted in perpetuity to this non-profit institution by ex-Puma CEO and Chairman, Jochen Zeitz. The collection will be showcased in 9,500m2 of custom-designed space spread over nine floors, of which 6,000 m2 will be dedicated exhibition space.
Heatherwick Studio, based in London, is recognised internationally for projects including the UK Pavilion at the 2010 Shanghai World Expo, The London 2012 Olympic Cauldron, the New Bus for London and the redevelopment of Pacific Place, a 640,000m2 complex in the centre of Hong Kong.
For the Zeitz MOCAA project, Heatherwick Studio will partner with three local delivery partners; Van Der Merwe Miszewski (VDMMA), Rick Brown Associates (RBA) and Jacobs Parker. Jacobs Parker will be the lead designer for the Museum fit out.
David Green, CEO of the V&A Waterfront, said, “Thomas Heatherwick understood how to interpret the industrial narrative of the building, and this was the major breakthrough. His design respects the heritage of the building while bringing iconic design and purpose to the building. Under his mentorship as lead designer, local partners stand to gain not only in experience but insights and knowledge sharing.’’
Green explains that from the outset, the V&A Waterfront knew they wanted to repurpose the Grain Silo Complex, disused since 1990, in a manner that would combine ingenuity, resourcefulness and beauty. By preserving and representing the building as a centre piece for the District and as a cultural institution, its character and personality will be honoured.
The key challenge has been to preserve the original industrial identity of the building, which is heritage listed and to retain choice pieces of machinery to illustrate and maintain its early working character. Heatherwick Studio has met the brief with characteristic boldness and creative flair. The final design reveals a harmonious union of concrete and metal with crisp white spaces enveloped in light.
Explaining the design, Thomas Heatherwick said, “How do you turn forty-two vertical concrete tubes into a place to experience contemporary culture? Our thoughts wrestled with the extraordinary physical facts of the building. There is no large open space within the densely packed tubes and it is not possible to experience these volumes from inside. Rather than strip out the evidence of the building’s industrial heritage, we wanted to find a way to enjoy and celebrate it. We could either fight a building made of concrete tubes or enjoy its tube-iness”.
Speaking on the challenges of this project, Heatherwick explained that “unlike many conversions of historic buildings which have grand spaces ready to be repurposed, this building has none. The project has become about imagining an interior carved from within an infrastructural object whilst celebrating the building’s character.”
The solution developed by Heatherwick Studio was to carve galleries and a central circulation space from the silos’ cellular concrete structure to create an exceptionally spacious, cathedral-like central atrium filled with light from an overhead glass roof. The architects have cut a cross-section through eight of the central concrete tubes. The result will be an oval atrium surrounded by concrete shafts overhead and to the sides. Light streaming through the new glass roof will accentuate the roundness of the tubes. The chemistry of these intersecting geometries creates an extraordinary display of edges, achieved with advanced concrete cutting techniques. This atrium space will be used for monumental art commissions not seen in Africa until this construction.
The other silo bins will be carved away above ground level leaving the rounded exterior walls intact. Inside pristine white cubes will provide gallery spaces not only for the Zeitz MOCAA permanent collection but also for international travelling exhibitions. Zeitz MOCAA will have 80 galleries, 18 education areas, a rooftop sculpture garden, a state of the art storage and conservation area, and Centres for Performative Practice, the Moving Image, Curatorial Excellence and Education. Heatherwick Studios have designed all the necessary amenities for a public institution of this scale including bookstores, a restaurant and bar, coffee shop, orientation rooms, a donors’ room, fellows’ room and various reading rooms. The extraordinary collection of old underground tunnels will be re-engineered to create unusual education and site specific spaces for artists to dialogue with the original structure.
Cylindrical lifts rise inside bisected tubes and stairs spiral upwards like giant drill bits. The shafts are capped with strengthened glass that can be walked over, drawing light down into the building.
The monumental façades of the silos and the lower section of the tower are maintained without inserting new windows. The thick layers of render and paint are removed to reveal the raw beauty of the original concrete.
From the outside, the greatest visible change is the creation of special pillowed glazing panels, inserted into the existing geometry of the grain elevator’s upper floors, which bulge outward as if gently inflated. By night, this transforms the building’s upper storeys into a glowing lantern or beacon in the harbour.
“For five years we investigated suitable sites across Africa. The V&A Waterfront provided an iconic heritage building, situated in one of the most visited and iconic sites in Africa. Heatherwick Studio’s design offers a creative solution that delivers a new architectural icon for the exhibition and preservation of contemporary art from Africa. I am honoured that my collection will have such a handsome home.” Jochen Zeitz, Co-Founder Zeitz MOCAA and Founder Zeitz Collection.
Mark Coetzee, Executive Director and Curator of Zeitz MOCAA, concluded, “By repurposing our architectural heritage through an evocative juxtaposition of industrial design and contemporary art, we are creating a culturally significant institution of a scale that truly recognizes the creative talents of Africa. We have worked tirelessly with Heatherwick Studio to imagine a showcase for all the components of a functioning contemporary art museum, designed to allow the public direct access to, and engagement with, the most cutting edge artistic practice.”
ZEITZ MUSEUM OF CONTEMPORARY ART AFRICA
Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) is a new public not-for-profit cultural institution that focuses on collecting, preserving, researching, and exhibiting cutting-edge contemporary art from Africa and its Diaspora. It is the first major museum in Africa dedicated to contemporary art. Zeitz MOCAA was established in 2013 through a partnership of the V&A Waterfront and Jochen Zeitz. The Zeitz Collection acts as the founding collection of the museum. Currently, Zeitz MOCAA is housed at the Zeitz MOCAA Pavilion near the Bascule Bridge, V&A Waterfront.
In 2016, Zeitz MOCAA will open in the transformed heritage listed Grain Silo complex, repurposed through a design by Heatherwick Studio, in the Silo District of the V&A Waterfront, Cape Town.
ABOUT THE V&A
The V&A Waterfront is a 123-hectare mixed-use destination, and one of Africa’s most visited cultural and historical hubs. Set on the edge of a natural, historic working harbour with the iconic Table Mountain as its backdrop, it offers local and international visitors a cosmopolitan mix of experiences ranging from leisure, shopping and exclusive entertainment. It also offers prime residential and commercial property. The prime positioning of the V&A boasts sweeping views of the ocean, city bowl and mountain peaks. Up to 100 000 people visit every day during peak season.
Contributing R198 billion to the South African economy over the last ten years, the V&A Waterfront’s cumulative contribution to the provincial GGP since 2002 was over R173bn. The property also reported a 20.6% increase in retail trade sales for 2013, marking 29 straight months of consistent growth since August 2011, and concluding 2013 with an impressive 19.8% year-on-year growth. Of the total visitors to the V&A, 55% are Capetonians, 19% are South African and 26% are international. Visitor numbers to the Victoria Wharf grew by 7% during 2013, and a peak of 175 000 visitors was recorded on 31 December of that year.
With 22 official landmarks on-site, it is also part of South Africa’s historical legacy. Jointly owned by Growthpoint Properties Limited and the Government Employees Pension Fund (GEPF), represented by the Public Investment Corporation Limited (PIC), the V&A Waterfront was developed in 1988 by the state-owned transport corporation, Transnet Limited, while official commercial trading commenced in November 1990.
THE ZEITZ COLLECTION
The Zeitz Collection was founded, in 2002, by business entrepreneur Jochen Zeitz and is one of the most representative collections of contemporary art from Africa and Diaspora. Its mandate is to collect and preserve contemporary cultural artefacts of Africa. The Zeitz Collection is held and exhibited in spaces such as Switzerland, Spain, South Africa and through an extensive presentation of art at Segera Retreat in Kenya.
The Zeitz Collection collaborates on an ongoing basis with the Zeitz Foundation for Intercultural Ecosphere Safety. As part of the 4Cs philosophy (Conservation, Community, Culture, Commerce) the Zeitz Foundation supports creative activities that strengthen intercultural relationships and understanding, and raise awareness of cultural diversity, and inspires others to act in kind. The Zeitz Collection curator, Mark Coetzee, acts as the cultural specialist for the Zeitz Foundation. Both organizations collaborate on cultural outcomes at the Foundation headquarters based at Segera, Kenya and globally.
ABOUT THE HISTORICAL GRAIN SILO COMPLEX
Zeitz MOCAA, a new not-for-profit institution, will be housed in the historic Grain Silo complex at the V&A Waterfront, with the V&A committing over R500-million to the development required for the establishment of the Museum. Built in 1921, and at 57m tall, the Grain Silo remains an icon of the Cape Town skyline. This investment will further the development of art in Africa and acknowledges the important cultural and financial contribution the visual arts sector makes.
The Silo building has been a part of the Cape Town’s skyline for almost ninety years and until the turn of the millennium has been at the heart of the operational life of the city’s waterfront dock- facilitating the collection, sorting, storing and the exportation of much of the country’s grain. Completed in 1924 by SA Railways and Harbours, it has processed hundreds of thousands of tons of wheat, maize, soya and sorghum. Its location was driven by its connectivity to the docks and the resultant rail infrastructure. So much is the building a principal part of the city’s urban character that it has been heritage listed by the authorities.
The overarching vision for the building is to redevelop and restore it in such a way that brings national and international interest in a manner that breathes new and sustainable commercial and cultural life to the building.
THOMAS HEATHERWICK BIOGRAPHY
Thomas Heatherwick is the founder of Heatherwick Studio. At the heart of his studio’s work is a profound commitment, at every scale, to ﬁnding innovative design solutions with an absolute dedication to artistic thinking and the latent potential of materials and craftsmanship. Notable projects include the Olympic Cauldron for the 2012 Olympic Games, the New Bus for London, and the award winning UK Pavilion for the Shanghai World Expo 2010.
The studio’s current work includes: an urban design plan for the east of Hong Kong Island; two large scale district developments in Shanghai; a university building in Singapore; a new distillery in the south of England and a 200-passenger public boat for a river estuary in France.
Thomas is an Honorary Fellow of the Royal Institute of British Architects; a Senior Research Fellow at the Victoria & Albert Museum; and has been awarded Honorary Doctorates from the Royal College of Art, University of Dundee, University of Brighton, Shefﬁeld Hallam University and University of Manchester. In 2013 he was elected a Royal Academician by the Royal Academy of Arts, London. Thomas is on the panel of The Farrell Review of Architecture and the Built Environment, published in early 2014.
In 2004 Thomas was the youngest practitioner to be appointed a Royal Designer for Industry. He was awarded the Prince Philip Designers Prize in 2006 and the London Design Medal in recognition of his outstanding contribution to design in 2010. In 2013, he was awarded the Critics’ Circle Visual Arts and Architecture Award and he was appointed Commander of the Order of the British Empire (CBE) for services to the design industry.
Heatherwick Studio was formed in 1994. Today a team of over 100 architects, designers and makers work from a combined studio and workshop in Kings Cross, London, UK.
The work of Heatherwick Studio has been the subject of a major retrospective exhibition at the Victoria & Albert Museum, London. In May 2012, ‘Thomas Heatherwick: Making’ was published, a monograph that presents an extensive survey of the studio’s output to date.